How Stuart Gordon’s film lays a path of what might have been (…with Disney?).

The power of nostalgia compels bad behavior in this prescient Stephen King adaptation.

There’s a surprising amount of wit and entertainment in the DTV sequel.

A trainwreck of genres and ideas, Jerry London’s holiday-set film feels like everyone is in their own movie—no matter how it clashes with those around them.

Matt Wedge finds some strong gags, and some incredibly dated bits, in Larry Cohen’s spoof.

Larry Cohen’s extraordinary Q (1982) brought the winged serpent to New York City. Matt Wedge examines how the tale of the uptown Kaiju ties in with its Aztec roots and religion.