Review: INU-OH (2022)
Masaaki Yuasa’s film is a terrific celebration of storytelling and individuality, even as it staggers to the finish line.
Review: MARRY ME (2022)
While director Kat Coiro’s romcom sticks too closely to tropes with leads lacking romantic chemistry, some good still shines through.
The Obelisk OST (2021)
Multi-hyphenate artist Adam Egypt Mortimer released The Obelisk, a soundtrack to a film that doesn’t exist. What images does it cultivate? What film is playing behind your eyes when you listen to it?