Heather Wixson on how Richard Donner’s direction and Shane Black’s writing helped redefine the action hero in the 1980s.

This blundering action/sci-fi movie starring Jesse Ventura (and found in the public domain) is incredibly inept, but has its charms and its lessons to teach.

In celebration of the Christmas sequel to the Christmas action film, Mary Kay McBrayer looks at the Top 5 Bureaucratic Heroes of DIE HARD 2: DIE HARDER.

Hulk Ho-Ho-Hogan Spreads Holiday Cheer In This Much Maligned Children’s Holiday Movie.

Or, 7 Ways to Improve Your Corporate Holiday Party—According to DIE HARD (1988)

HOME ALONE endures not just due to nostalgia and madcap violence, but also its embrace of the fantastic and moods of the holidays.

A trainwreck of genres and ideas, Jerry London’s holiday-set film feels like everyone is in their own movie—no matter how it clashes with those around them.

An adventure in babysitting combines action and horror with enough seasonal psychosis and holiday hilarity to keep folks glued to the screen.

Christmas comes early again for James Bond as Rafael Ruiz looks at the sixth film in the series that promised a lot of change for the icon.

A look at the last of Bronson's vigilante saga—set at Christmastime and in the fashion world—where Paul Kersey truly becomes the sadistic force for vengeance.

Not sure what to watch this holiday season? Aundria Parker has compiled some choices to fit whatever mood you’re in.

A Christmas Carol in the merry Marvel manner, the holidays weren’t complete until Shane Black and IRON MAN 3 showed up to lend their fireworks to the MCU.

Memories can define who we are and our relationship to what we like. These ties remain and cast significance, even with popcorn films like THE LONG KISS GOODNIGHT.

The holidays are a perfect time to reflect on the past and look to the future as Andres Guzman hopes for a return to the Batman of Tim Burton’s second outing in Gotham.

Jeremy Lowe finds great delight in FATMAN’s choice to take its bonkers world completely seriously.

Stallone faces off with a murderous cult in this vaguely Christmas-adjacent action classic!

A monster built for brutality takes on an overzealous fat man’s iron fist of control. Is this Krampus vs. Santa? No, it’s 1982’s FIRST BLOOD.

Michael Scott talks about ANNA AND THE APOCALYPSE - a romcom, coming-of-age story, Holiday movie, zombie film, and a musical all in one delightful experience.