In celebration of the Christmas sequel to the Christmas action film, Mary Kay McBrayer looks at the Top 5 Bureaucratic Heroes of DIE HARD 2: DIE HARDER.

Or, 7 Ways to Improve Your Corporate Holiday Party—According to DIE HARD (1988)

HOME ALONE endures not just due to nostalgia and madcap violence, but also its embrace of the fantastic and moods of the holidays.

A trainwreck of genres and ideas, Jerry London’s holiday-set film feels like everyone is in their own movie—no matter how it clashes with those around them.

Fred Dekker’s third entry in the series has so much promise, but mistakes were made. But hey, Kiley wrote a poem about it—so it all works out!

Christmas comes early again for James Bond as Rafael Ruiz looks at the sixth film in the series that promised a lot of change for the icon.

A look at the last of Bronson's vigilante saga—set at Christmastime and in the fashion world—where Paul Kersey truly becomes the sadistic force for vengeance.

Memories can define who we are and our relationship to what we like. These ties remain and cast significance, even with popcorn films like THE LONG KISS GOODNIGHT.

Unfairly (and inaccurately) dismissed as “French HOME ALONE”, DEADLY GAMES is a much darker film full of dread and ‘80s charm.