Video editor’s round-up of the best cinema had to offer last year.

A recording of Ray’s talk at Dragon*Con in 1997 offers keen insight and delightful anecdotes.

Luís Azevedo’s 2018 video essay for Fandor about the many roles moms play in storytelling.

ScreenCrush’s Ryan Arey lays out how the Marvel and DC films are basically the same…except one is well made.

In a web exclusive, the comedy show dissects the 1997 family film to find moral hypocrisy at its root.

BBC special with Roger Corman, Lisa Tuttle, Clive Barker, Peter Atkins, Ramsey Campbell, and John Carpenter discuss horror.

Chicago comedian imagines a terrifyingly relatable scenario for a Jigsaw target.

Video montage of horror moments set to "Marie Douceur Marie Colère" by Marie Laforêt.

Cinematic mayhem as the RacerTrash collective combines Daft Punk with 2017’s GOOD TIME.

Director Casey Williams and writer KD Davila delivered an exceptional film—here’s the (also great) short on which it was based.

Miriama Diallo’s MASTER was a hit at Sundance and SXSW this year. Her horror comedy short gives hints as to why.

The Daniels kicked off SXSW 2022 to rave reviews. Here’s an interactive short they made in the so distant past.

Film critic for Austin Chronicle and Programs Director for Austin Asian American Film Festival assembles her favorite movies of 2021.

Video essay exploring the early work of Japanese punk filmmaker Gakuryû Ishii/Toshihiro Ishii/Sogo Ishii.

Multi-hyphenate artist and scholar Tananarvie Due provides an encapsulated history of Black people in horror films.

Beyond Ghibili is an incredible YouTube channel delving into Japanese media and artists, like this entry on Makoto Shinkai.

Brilliant follow-up video essay by bobvids on why the YouTube channel remains The Worst.

The always excellent annual overview of the cinematic landscape by critic David Ehrlich.

Sleepy Skunk’s tremendous annual tradition of movie trailer mashups continue with another terrific installment.

Patrick H. Willems' video essay on writer/director Shane Black’s long tradition of setting his action noir films at Christmastime.